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The Senses in the Premodern World

A masterclass at The University of Western Australia led by Susan Broomhall and featuring Lisa Beaven.

 

Presenter: Lisa Beaven
Date: Friday 12 October 2018
Venue: TBA, The University of Western Australia
Registration: Details will be posted soon.

Susan Broomhall is Professor of History at UWA and Co-Director (2018) of the Australian Research Council (ARC) Centre of Excellence for the History of Emotions specialising in gender, emotions and material culture of early modern Europe.

Lisa Beaven is Lecturer in Art History at La Trobe University. She has previously taught at the Universities of Melbourne and Auckland. She was the 2008 Trendall Fellow at the British School at Rome and from 2014–2018 was a postdoctoral research fellow in the ARC Centre of Excellence for the History of Emotions at The University of Melbourne. Dr Beaven’s research interests are focused on seventeenth-century Rome, with a particular interest in patronage and collecting. She is also interested in the issue of false relics, the relationship between the church and antiquarian circles in Rome, and emotional responses to paintings and sculpture in the early modern period. She has ongoing research projects on landscape painting and the ecology of the Roman Campagna, the market for relics in seventeenth-century Rome, and space and the senses in the baroque city. With Joan Barclay Lloyd, she has studied travel and the built environment of Rome; with Angela Hesson she studied love objects for the exhibition ‘Love: Art of Emotion 1400–1800’ (2017); and with Angela Ndalianis, she undertook the ARC Discovery project: ‘Experiencing Space: Sensory Encounters from Baroque Rome to Neo-Baroque Las Vegas’. In 2010, she published An Ardent Patron: Cardinal Camillo Massimo and his Artistic and Antiquarian Circles in Rome (Paul Holberton Publishing, 2010). Her collection, Emotion and the Seduction of the Senses, Baroque to Neo-Baroque (edited with Angela Ndalianis) was published by Medieval Institute Press in 2018.

Associated events sponsored by IAS UWA/PMRG/CMEMS/CHE

Presented by The University of Western Australia's Institute of Advanced Studies (IAS), Centre for Medieval and Early Modern Studies (CMEMS) and the Perth Medieval and Renaissance Group (PMRG), with support from the Australian Research Council Centre of Excellence for the History of Emotions (CHE).

Image: José de Ribera, The Sense of Touch, 1632 (detail), Oil on Canvas. Museo del Prado.